Film adaptation of the TV Show in 1994, based on the novel of the same name by Érico Veríssimo. During a general strike in the city of Antares, gravediggers refuse to carry out burials, to increase pressure on employers. During the night, however, the dead claim the right to be buried.

In the fictional town of Antares, a general strike prevents seven corpses from being buried in the local cemetery. The corpses then come back to life to demand the authorities the right to be buried.

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In the 1960s, António, an agent of the PIDE, is assigned to follow Aurora to Paris, a young woman suspected of oppositionism. It is May 1968, and during the student revolt, the two young people fall in love. Back in Porto, their forbidden passion ends abruptly. For decades, António writes Aurora letters that she keeps unopened. When the correspondence is unexpectedly interrupted, both give up on life. Based on the director's novel entitled "A Casa Azul" (The Blue House).

During the Covid-19 pandemic, young filmmakers from a São Paulo favela make a film to apply for a grant offered by an institution that uses them as mere pawns. An opportunity for a critical exercise and a demonstration of lucidity. 　　[FR] Durant la pandémie de Covid-19, de jeunes cinéastes d’une favela de São Paulo réalisent un film pour candidater à une bourse proposée par une institution qui les utilise comme faire-valoir. L’occasion d’un exercice critique et d’une démonstration de lucidité.

Doll & Em is a British comedy series starring real-life friends Emily Mortimer (Em) and Dolly Wells (Doll), filmed in the style of a reality TV show. After a breakup, Doll heads to Hollywood to be with her childhood best friend Em, who's now a successful actress.

Doll & Em is a British comedy series starring real-life friends Emily Mortimer (Em) and Dolly Wells (Doll), filmed in the style of a reality TV show. After a breakup, Doll heads to Hollywood to be with her childhood best friend Em, who's now a successful actress.

A satirical film series in which Oliver Kalkofe and Peter Rütten present and comment on B-movies that are characterized by a particularly bad style or unintentionally funny ideas.